![]() "Baby's Wearin' Blue Jeans" has DeMarco fixated on a woman specifically because of her pants, namedropping both Wrangler and Lee in the process. That weirdness also spills over into his lyrics. Obviously, the tone here is both goofy and surreal if Night Club can support a creepy DJ skit near the beginning of the album. But stacked against a fictional DJ saying "stuffin' it down the chute" in an even deeper, even sleazier voice? DeMarco goes from being the sleaziest guy in the room to an outright Lothario. ![]() With vaguely grimy imagery like "standing on the corner/ Tryin' to keep it clean," delivered in his deep, breathy, sleazy voice, it's easy to get weirded out by the album's focal point, which is DeMarco. It's a jokey moment, but it plays an unexpectedly crucial role for the rest of the EP: It makes the rest of the songs sound comparatively not-creepy. Up next, we've got a triple shot of Mac DeMarco comin' at ya, stuffin' it down the chute." That skit is delivered by an unsettling, near-demonic voice. Take the album's second track: "You're rockin' straight through midnight with me, Dojo Daniel, on 96.7: The Pipe. On Rock and Roll Night Club, he gets weirder and churns out an unsettling brand of soft rock. Before signing to Captured Tracks, Montreal's Mac DeMarco made fuzz pop records with Makeout Videotape, who, based on their album art alone, had strange leanings.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |